TEAM ASSiGN | 21 JUNE 2011 | 8.14MB
True peak detection, LKFS perceived loudness metering, K-System compatibility, and pink noise monitor calibration combine in K-Meter to give you the tools you need to create consistent, high quality mixes.
It’s a way of metering pioneered by Bob Katz, mastering engineer and grammy award winner. With the K-System, maximizing peak levels is no longer the goal; instead, your focus shifts to loudness metering and dynamic range.
The K-System has three scales: K-12, K-14 and K-20. You choose which scale to use based on genre and delivery format. K-12 is for broadcast and radio. K-14 is for mainstream pop, rock and country. K-20 is for film, classical and high-fidelity recordings. From K-12 to K-20, the scales provide an increasing amount of dynamic range.
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