Mixing Just As Long As You Want Me Part 1 TUTORiAL

SYNTHiC4TE | Oct 16 2020 | 301 MB

Now that the mix for “That’s Love” is in the bag, it’s time to move on to song number two!

In this episode, Matt begins the mix for “As Long As You Want Me,” and discusses topics like how they achieved the Al Green sound by driving forward that goal at the very start of tracking.
See how Matt Ross-Spang:

Explains why he decided to mix both of Eli’s songs in the box
Talks about the importance of going with your gut and fixing things as you find them
Discusses the sonic characteristics of the Spectrasonics and Neve 1073 preamplifiers
Explains his approach to getting the “Al Green” sound that they were going for, starting with an older piece of tape
Adds in the immaculate sounding chambers at Sam Phillips Recording
Tweaks a De-Esser on Eli’s vocal to control, but not destroy the sibilance
Join Matt Ross-Spang, Eli “Paperboy” Reed, The Hodges Brothers, Ken Coomer, and The

Masqueraders inside the legendary Sam Phillips Recording in Memphis, TN, for an incredible recording event, from Start To Finish. Only on pureMix.net