English | 2018 | ISBN: 2567571957 | PDF | 164 pages | 166 Mb
The book has 164 pages and is made up of 3 themes:
• The bulk of the book is taken up with song and recording notes, all written in exemplary detail by Beatles expert Kevin Howlett. He explains all of the different takes and the actual writing and recording process for every track in the set.
• There is a new scholarly essay on the art of the White Album – explaining that it was actually an important moment in the development of modern pop art and it explodes several myths about what people think had been other cover ideas as well as exploring the way rock music and art were starting to grow together.
• Guardian writer and social commentator, John Harris, has also written a fascinating chapter that looks at the reception of the album when it was released and how that has changed in perception and influence over the decades, concluding that this is in many ways perhaps their most influential album, especially in terms of how it has influenced generations of musicians since.
In November 1968, millions of double LPs were shipped to record stores worldwide ahead of that tumultuous year’s most anticipated music event: the November 22nd release of The BEATLES (soon to be better known as ‘The White Album’).
For 50 years, ‘The White Album’ has invited its listeners to venture forth and explore the breadth and ambition of its music, delighting and inspiring each new generation in turn. On November 9, The Beatles released a suite of lavishly presented ‘White Album’ packages. The album’s 30 tracks are newly mixed by producer Giles Martin and mix engineer Sam Okell in stereo and 5.1 surround audio, joined by 27 early acoustic demos and 50 session takes, most of which are previously unreleased in any form.
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